Supervisor: Amol Sathe
My first sequence on Zootopia was Judy giving out parking tickets. These shots were a bridge between two sequences , both of which already had established looks. A seamless transition between the two lighting setups was required. On these shots it was important to get some pleasant shaping on the background buildings that were primarily in shadow.

For Gazelle's peace rally, I created the initial key and took the entire shot group to final composite. For this sequence, we wanted to use shadows to visually put characters in boxes and increase tension. This was the first shot with Gazelle lit for the movie so these shots were used to finalize her look. For the final shot of the series, I used the character motion to motivate a darkening of the light to emphasis the impact to Judy.

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